Spooky season is upon us, and that means time to break out all the horror books! Here’s a small list of books and graphic novels available to check out at CCPL that will help you have a fright night in.
Salem’s Lot by Stephen King
Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book.
But when two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work. In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that is growing within the borders of this small New England town.
The Exorcist by William Peter Blatty
The Exorcist details the demonic possession of eleven-year-old Regan MacNeil, the daughter of a famous actress, and the two priests who attempt to exorcize the demon.
Wytches Vol. 1 by Scott Snyder
When the Rooks family moves to the remote town of Litchfield, NH, to escape a haunting trauma, they’re hopeful about starting over. But something evil is waiting for them in the woods just beyond town. Watching from the trees. Ancient…and hungry.
All Hallows by Christopher Golden
It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.
There’s a small clearing in the woods now that was never there before, and a blackthorn tree that doesn’t belong at all. These odd children claim that The Cunning Man is coming for them…and they want the local kids to protect them. But with families falling apart and the neighborhood splintered by bitterness, who will save the children of Parmenter Road?
The Drift by C.J. Tudor
Hannah awakens to carnage, all mangled metal and shattered glass. After she was evacuated from a secluded boarding school during a snowstorm, her coach careered off the road, trapping her with a handful of survivors. They’ll need to work together to escape—with their sanity and secrets intact.
Meg awakens to a gentle rocking. She’s in a cable car stranded high above snowy mountains with five strangers and no memory of how they got on board. They are heading to a place known only as “The Retreat,” but as the temperature drops and tensions mount, Meg realizes they may not all make it there alive.
Carter is gazing out the window of an isolated ski chalet that he and his companions call home. As their generator begins to waver in the storm, something hiding in the chalet’s depths threatens to escape, and their fragile bonds will be tested when the power finally fails—for good.
The imminent dangers faced by Hannah, Meg, and Carter are each one part of the puzzle. Lurking in their shadows is an even greater danger—one with the power to consume all of humanity.
Sandman Book 1 by Neil Gaiman
This series is a rich blend of modern and ancient mythology in which contemporary fiction, historical drama, and legend are seamlessly interwoven with the ability to give readers images they may find in their nightmares.
A Good House for Children by Kate Collins
Once upon a time, Orla was a woman, a painter, a lover. Now, she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Nick absent all week, commuting to the city for work—Orla finds herself unsettled. She hears voices when no one is around; doors open and close on their own; and her son Sam, who has not spoken in six months, seems to have made an imaginary friend whose motives Orla does not trust.
Four decades earlier, Lydia moves into the same house as a live-in nanny to a grieving family. Lydia, too, becomes aware of intangible presences in the large house, and she, like Orla four decades later, becomes increasingly fearful for the safety of the children in her care. But no one in either woman’s life believes her: the stories seem fanciful, the stuff of magic and mayhem, sprung from the imaginations of hysterical women who spend too much time in the company of children.
Lone Women by Victor Lavalle
Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear.
The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory.
Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.